Photo: Toje Jenssen
Minna Johanna Niemi
Minna Johanna Niemi
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Picaros and Shapeshifters: The Postcolonial Picaresque Style in GauZ’s Standing Heavy
Journal of the African Literature Association (JALA) 2024 DOI
Minna Johanna Niemi
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Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers
Minna Johanna Niemi
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Critical representation of neoliberal capitalism and uneven development in Tsitsi Dangarembga’s This Mournable Body
Minna Johanna Niemi
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Challenging Developmentalist Narratives: Helon Habila's Oil on Water as a Representation of the Extractivist Exploitation in the Niger Delta Region
Lexington Books 2018
Minna Johanna Niemi
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Totalitarian politics and individual responsibility: Revising Hannah Arendt’s inner dialogue through the notion of confession in J. M. Coetzee’s Waiting for the Barbarians
Minna Johanna Niemi
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Challenging moral corruption in the postcolony: Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born and Hannah Arendt’s notion of individual responsibility
Minna Johanna Niemi
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"Revising postcolonial trauma: Multidirectional identifications in Ayi Kwei Armah’s Fragments and Nuruddin Farah’s Maps"
Journal of Postcolonial Writing 2015 DOI
Minna Johanna Niemi,
Justin Parks
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Home, Homelessness and the Wayward Subject in the Novels of James Joyce and Claude McKay
Peter Lang Publishing Group 2010
Minna Johanna Niemi
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Complicity and Responsibility in Contemporary African Writing: The Postcolony Revisited
Routledge 2021
Minna Johanna Niemi
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”Re-envisioning the Haunting Past: Kara Walker’s Art and the Re-appropriation of the Visual Codes of the Antebellum South” in World Cinema and the Visual Arts (David Gallagher, ed.)
Anthem Press 2012
Astrid Rasch,
Minna Johanna Niemi,
Jocelyn Alexander
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Reading Repression and Resistance in Zimbabwean Literature
Minna Johanna Niemi
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Making The Art of Ama Ata Aidoo: An interview with Yaba Badoe
Ariel: A Review of International English Literature 2018 DOI
Minna Johanna Niemi,
Nuruddin Farah
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“Witnessing Contemporary Somalia from Abroad: An Interview with Nuruddin Farah”
Callaloo 2012 DOI
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