Picaros and shapeshifters: the postcolonial picaresque style in GauZ’s Standing Heavy
Journal of the African Literature Association (JALA) 2024 DOI / ARKIV
Minna Johanna Niemi
:
Contested political alliances in fortress Europe: migrants and Europeans in Helon Habila’s Travellers
Continuum. Journal of Media and Cultural Studies 2023 DOI / ARKIV
Minna Johanna Niemi
:
Critical representation of neoliberal capitalism and uneven development in Tsitsi Dangarembga’s This Mournable Body
Journal of Southern African Studies 2021 DOI / ARKIV
Minna Johanna Niemi
:
Challenging Developmentalist Narratives: Helon Habila's Oil on Water as a Representation of the Extractivist Exploitation in the Niger Delta Region
2018
Minna Johanna Niemi
:
Totalitarian politics and individual responsibility: Revising Hannah Arendt’s inner dialogue through the notion of confession in J. M. Coetzee’s Waiting for the Barbarians
South African Journal of Philosophy 2017 DOI / ARKIV
Minna Johanna Niemi
:
Challenging moral corruption in the postcolony: Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born and Hannah Arendt’s notion of individual responsibility
Home, Homelessness and the Wayward Subject in the Novels of James Joyce and Claude McKay
2010
Astrid Rasch,
Minna Johanna Niemi,
Amanda Hammar
:
The Politics of the Past in Zimbabwe
Brill Academic Publishers 2025
Minna Johanna Niemi
:
Complicity and Responsibility in Contemporary African Writing: The Postcolony Revisited
Routledge 2021
Minna Johanna Niemi
:
”Re-envisioning the Haunting Past: Kara Walker’s Art and the Re-appropriation of the Visual Codes of the Antebellum South” in World Cinema and the Visual Arts (David Gallagher, ed.)
Anthem Press 2012
Astrid Rasch,
Minna Johanna Niemi,
Amanda Hammar,
Jocelyn Alexander
:
Book launch: The Politics of the Past in Zimbabwe
27. Jun 2025
Astrid Rasch,
Minna Johanna Niemi,
Jocelyn Alexander
:
Reading Repression and Resistance in Zimbabwean Literature
Journal of Southern African Studies 27. Oct 2021 DOI
Minna Johanna Niemi
:
Making The Art of Ama Ata Aidoo: An interview with Yaba Badoe